Perfecting Your Monologue

Before you start practicing a monologue, make a plan! Here are guideline questions for perfecting any monologue you do. They are questions because they are meant for you to ANALYZE.

First, ask: who are you talking to? Where are they? Picture them in their setting. How would your monologue's delivery change because of this? At all times imagine what the other person is doing, make decisions based on that.

What kind of play? If it's a naturalistic play, do not overact! Keep to the style of the play, it's very important.

If you choose a monologue where you are speaking to the audience, try to choose a different one. It's hard to portray well, and doesn't show off your connection to other characters. In storytelling monologues, there really is no arch, which is important. If you can't choose another one, pick someone you can talk to specifically. How would you talk to them? Have a motive, try to do something.

What did that person say right before you started talking? What made you want to say these things to them? If you know what they said, you can realistically portray what you would want to do and say. And when you pause, why would you? What did the person say, or what did their facial expression say? Try a different tactic, a different way to get what you want.

What is your relationship with the person you are talking to? Why are you even confronting them? Why don't you just leave?

What happens next? What is the other person doing after the monologue? What are they feeling?

What is the arch of the piece? Something changes in the middle, dynamics, climax, what is the change?
You begin feeling:
You end feeling:

Also, during an audition or rehearsal, a director may give you an adjustment. Even if this makes very little sense, it might just be to see if you can take direction so make sure you comply!

Choose a monologue that is age appropriate and shows emotional diversity!

Break a leg,
Maison

Headshots 101

Since I am completely uneducated about the world of headshots, I figured that Headshots 101 would be a good workshop to take. Here's a summary of the class:

• It must be 8x10 photo. (common knowledge)
• The picture should show at least from shoulders and above, but it is acceptable to cut off the crown of the head to pull focus to your eyes.
• Horizontal headshots are acceptable, but inconvenient to be stapled and flipped through, therefore not suggested.
• Black and white headshots are out as color printing is much more affordable now.
• For the stage, only 2 shots are needed: one for comedy and one for tragedy acting. For film and television, an array of different shots will be needed to show different sides of you and what you can play.
• For a dramatic headshot, you don't have to put on a dramatic frown. You could have a smirk, just make sure you have thought behind your eyes. To achieve this, have a thought in character while shooting.
• Have a blurred background that gives an idea of who you are. If you are a student, show something that hints at a school or library- just make sure it does not take away from the main point of the headshot- YOU!
• Do not wear solid black, white, or red because this messes with the balance of the camera. Wear something that goes well with your hair, eyes, and skin tone.

Finding your photographer:

• Preferably, they should be a Headshot Photographer. If you go to someone who does school portraits, that is what you will get even though that is not what you want. The next best thing is a senior picture photographer, as that world is getting more artsy as well as the headshot world.
• Pricing should typically be between $200-500 dollars for FULL PACKAGE. Some big names could charge more, but not be worth more. FULL PACKAGE means that it includes the consultation, shoot, initial photos, and most importantly- printing rights. If a photographer doesn't give you the rights to your photo so that you can print it yourself, then every single time you want to make a print you have to do it through that company which can turn out to be very expensive.
• Get someone you are comfortable with! If you are going to spend hours taking pictures with someone you are not comfortable with, it will show through on the photo.

I have one more post left in my ITS Workshop series and then I'll be on to the Seussification of Romeo and Juliet!

Break A Leg,

Maison

International Thespian Society Festival

It's almost time for me and my troupe to compete at Nationals for ITS! Since I'm mainly there for the experience, I will be taking as many workshops as possible and I hope to share what I've learned each day with all of you, and maybe some pictures as well. It makes me nervous that our Group Musical only has a couple of rehearsals left, though.

But I'm excited!

If you are wanting a look into the amazing and exciting world of show business, you are in the wrong place. But if you are looking for some advice on the details of auditions, monologues, casting, etc., in your community or school, hopefully I can give you some insight. In the next few days, I will start with some substantial posting, but here is a little ramble about me.

• I am competing at the International Thespian Society national convention at the end of the month in Troupe #88975. (as a very ironically casted Horton, considering I'm a vertically challenged girl.)
• I was recently inducted into Troupe #6605, and I'm pretty freaking excited.
• I'm currently rehearsing for a little community theatre show called, The Seussification of Romeo and Juliet, as Narrator #1, just because the director is amazing and I want her to know me.

I would lovelovelove it if you would follow, because I will be posting soon!